Curators don’t have time to research the way they used to. We need to function more as catalysts. That’s why I think it’s essential to work with collaborators.
This page looks at requirements and practical issues related to touring work to multiple venues.
The requirements of touring work are over and above a screening or exhibition, as you have to take into account how the work will travel practically and how it will make sense in different spaces. You also have to explore the relevance of your project on a different scale. For listing of key UK venues with experience of artists' moving image work see the Showing Work section.
The requirements of touring work are over and above a screening or exhibition, as you have to take into account how the work will travel practically and how it will make sense in different spaces. You also have to explore the relevance of your project on a different scale. For listing of key UK venues with experience of artists' moving image work see the Showing Work section.
This page looks at issues to consider in order to prepare a programme for touring, from the agreements with artists to marketing strategies for multiple venues.
This page looks at some of the particular issues to touring the work in the UK, including how to find and attract other venues and ways of making the work accessible in different contexts.
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