Search the site
 

Text Size
AAA

Open quotesIf you’re interested in doing a show you have to be able to talk about it for at least an hour, really enthuse about it. If you can’t do that, if you’re not that motivated by an idea, an artist or group of work or context then it’s not worth trying to organise a show.Close quotes

 

Lisa Le Feuvre
on enthusiam

This Subsection: How to Use This Site
This Subsection: Links
Further Reading
This Subsection: About Us
               
Further Reading
Below are some of the articles and books that explore issues related to curating contemporary art and artists film and video.

Articles

  • The Cinematic Subtext of the Modern Museum: Alred H. Barr. and MoMA’s Film Archive, Haidee Wasson, The Moving Image, Vol. 1, No. 1 (Spring 2001)
  • Cinephilia Michael O-Pray, Art Monthly, March 1999
  • Curator and Artist Alex Farquharson, Art Monthly, October 2003
  • Curating: Then and Now Alex Coles, Art Monthly, April 2004
  • Curating U-Topics Paul O’Neill, Art Monthly, Jan/Dec 2003/2003
  • I am a Curator’ Paul O’Neill, Art Monthly, April 2004
  • Networks: Exhibiting New Media Beryl Graham and Sarah Cook, Art Monthly, November 2002
  • Overt Surveillance: A Conversation on Micro-Salons with Mark Aerial Waller Stuart Bailey, First published in Metropolis M, No.1 February/March 2005, republished in / seconds (www.slashseconds.org)
  • Rules of the Game Rugoff Ralph, Frieze, v.144, (Jan-Feb 1999) p.46-49
  • Value Added Mark Prince, Art Monthly, March 2004
  • Video After Diderot Dave Deech, Art Monthly, April 1999

Books

  • Alfred H. Barr, Jr. And The Intellectual Origins Of The Museum Of Modern Art by Sybil Gordon Kantor, MIT Press (Oct 2003)
  • Ars Electronica: Facing The Future, Ed. Timothy Druckrey with Ars Electronica, MIT Press, MIT Press (Sept 1999)
  • Beyond the Box: Diverging Curatorial Practices Ed. Melanie Adaire Townsend, Banff Centre Press, (May 2003)
  • Cinema 16: Documents Towards a History of the Film Society by Amos Vogel & Scott MacDonald, Temple University Press,U.S. (January 2002)
  • Curating: The Contemporary Art Museum and Beyond Ed. Anna Harding, John Wiley & Sons (Jan 1997)
  • Curating Degree Zero Ed. Sigrid Schade, Verlag Moderne Kunst (June 1999)
  • Curating in the 21st Century Ed. Gavin Wade, New Art Gallery Walsall (Feb 2001)
  • Curating New Media Ed. Sarah Cook, Beryl Graham and Sarah Martin, B.read/Six, Baltic (April 2002)
  • Curating Now: Imaginative Practice/Public Responsibility Ed. Paula Marinlola, University of the Arts (Jan 2002)
  • Curating Subjects Ed. Paul O'Neill, Open Editions (Feb 2007)
  • Film as a Subversive Art by Amos Vogel, Trilce (31 Jan 2006)
  • Inside the White Cube: The Ideology of the Gallery Space, Expanded Edition by Brian O'Doherty, University of California Press; (Jan 2000)
  • Kinomuseum: Towards an Artists‘ Cinema Ed. Mike Sperlinger and Ian White, Walther Konig (July 2008)
  • Museum Movies: The Museum of Modern Art and the Birth of Art Cinema by Haidee Wasson, University of California Press (10 May 2005)
  • The Producers: Contemporary Curators in Conversation (1-6), Ed. Susan Hiller, Sarah Martin and Sara Ley, B.read, Baltic (Nov 2000 - Oct 2004)
  • Relational Aesthetics Nicolas Bourriaud, Paris, Le Presses du Reel (Jan 1998)

© LUX 2006 | LUX 118 Shacklewell Lane, London E8 2EZ, UK
Tel: +44 (0)20 7503 3980 | Fax: +44 (0)20 7503 1606 | Email: info@lux.org.uk

Sponsor: LUX Sponsor: ICO Sponsor: British Artists' Film And Video Collection Sponsor: The Arts Council Of England